影片信息
- 片名：不安
- 状态：HD中字
- 主演：英格丽·褒曼/马蒂亚斯·维曼/雷娜特·曼哈特/
- 导演：罗伯托·罗西里尼/
- 年份：1954
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2024-06-25 19:10
- 简介：不安1954 播出年由英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 主演,罗伯托·罗西里尼 导演的《不安》在线观看,《不安》百度云网盘资源以及《不安》高清mp4迅雷下载，希望您能喜欢！
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
播放列表
剧情简介
红枣电影网为您提供1954 年由英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 主演,罗伯托·罗西里尼 导演的《不安》在线观看,《不安》百度云网盘资源以及《不安》高清mp4迅雷下载，希望您能喜欢！
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.展开
1.0 Alex Wiseman/Peter Madsen/Kim Wall/
6.0西尔莎·罗南/埃利奥特·赫弗南/哈里斯·迪金森/本杰明·克莱曼汀/凯西·伯克/保罗·韦勒/斯蒂芬·格拉汉姆/雷·吉尔/Mica/Ricketts/C·J·贝克福德/阿历克斯·杰宁斯/约书亚·麦圭尔/海莉·斯奎尔斯/艾琳·凯利曼/萨莉·梅瑟姆/约瑟夫·阿尔京/克里斯托弗·钟/杰拉德·摩纳科/希瑟·克兰妮/桑德拉·休杰特/Isaac/Highams/格雷厄姆·福克斯/Jack/Shalloo/
9.0 塞缪尔·杰克逊/约翰·大卫·华盛顿/丹妮尔·戴德怀勒/雷·费舍尔/科里·霍金斯/迈克尔·波茨/Skylar Smith/史蒂芬·詹姆士/埃丽卡·巴杜/Malik J Ali/查丽蒂·乔丹/Isaiah Gunn/Matrell Smith/杰瑞卡·辛顿/盖尔·比恩/Hanniel Joseph/保莱塔·华盛顿/奥利维亚·华盛顿/Kylee D. Allen/Deetta West/
7.0 托马辛·麦肯齐/里什·沙阿/詹姆斯·诺顿/Nikolay Shulik/艾德里安·鲁基斯/比尔·奈伊/Surinder Duhra/托比·威廉姆斯/乔安娜·斯坎伦/罗伯特·威尔福特/坦娅·穆迪/鲁思·马德利/Josephine Jones/杰迈玛·卢珀/Lydia Jones/塞西莉·克利夫/Lyllia-Rose Redmond/Alice Bennett/Carla Harrison-Hodge/Elliot Bird/
5.0 卢克·柯比/罗丝玛丽·德薇特/迈克尔·切鲁斯/PHOEBE-RAE TAYLOR/科特尼·泰勒/朱迪斯·赖特/
5.0黄晓明/王影璐/李丛喜/黄璐/陈传凯/吕鑫/李倩/节冰/徐少武/胡莜然/
3.0 爱德华·福克斯/特伦斯·亚历山大/米歇尔·奥克莱尔/艾兰·巴德尔/托尼·布里顿/Denis Carey/Adrien Cayla-Legrand/西里尔·库萨克/莫瑞斯·德纳姆/弗农·多布切夫/雅克·弗朗索瓦/奥尔加·乔治斯-皮科/雷蒙·热罗姆/巴里·英厄姆/德里克·雅各比/迈克尔·朗斯代尔/让·马丹/罗纳德·皮卡普/埃里克·波特/安东·罗杰斯/德菲因·塞里格/唐纳德·辛顿/让·索雷尔/提摩西·韦斯特/Bernard Archard/Colette Bergé/格雷德·布尔/菲利普·莱奥塔尔/莫里斯·泰纳/
4.0彭昱畅/胡冰卿/姚橹/小爱/史策/修睿/宋词/刘頔/唐赟/
正片
6.0区嘉雯/李琳琳/太保/梁仲恒/廖子妤/许素莹/梁雍婷/邵美君/李丽霞/余玉华/黎济铭/岑乐怡/
2.0托马辛·麦肯齐/詹姆斯·诺顿/比尔·奈伊/夏莉·墨菲/里什·沙阿/欧因·达菲/道格·麦克梅金/塞西莉·克利夫/Mariam/Haque/Abbiegail/Mills/
7.0塞缪尔·杰克逊/约翰·大卫·华盛顿/丹妮尔·戴德怀勒/雷·费舍尔/科里·霍金斯/迈克尔·波茨/Skylar/Smith/史蒂芬·詹姆士/埃丽卡·巴杜/Malik/J/Ali/查丽蒂·乔丹/Isaiah/Gunn/Matrell/Smith/杰瑞卡·辛顿/盖尔·比恩/Hanniel/Joseph/保莱塔·华盛顿/奥利维亚·华盛顿/Kylee/D./Allen/Deetta/West/
6.0 塞缪尔·杰克逊/约翰·大卫·华盛顿/丹妮尔·戴德怀勒/雷·费舍尔/科里·霍金斯/迈克尔·波茨/Skylar Smith/史蒂芬·詹姆士/埃丽卡·巴杜/Malik J Ali/查丽蒂·乔丹/Isaiah Gunn/Matrell Smith/杰瑞卡·辛顿/盖尔·比恩/Hanniel Joseph/保莱塔·华盛顿/奥利维亚·华盛顿/Kylee D. Allen/Deetta West/
9.0 托马辛·麦肯齐/里什·沙阿/詹姆斯·诺顿/Nikolay Shulik/艾德里安·鲁基斯/比尔·奈伊/Surinder Duhra/托比·威廉姆斯/乔安娜·斯坎伦/罗伯特·威尔福特/坦娅·穆迪/鲁思·马德利/Josephine Jones/杰迈玛·卢珀/Lydia Jones/塞西莉·克利夫/Lyllia-Rose Redmond/Alice Bennett/Carla Harrison-Hodge/Elliot Bird/
3.0 卢克·柯比/罗丝玛丽·德薇特/迈克尔·切鲁斯/PHOEBE-RAE TAYLOR/科特尼·泰勒/朱迪斯·赖特/
4.0西尔莎·罗南/埃利奥特·赫弗南/哈里斯·迪金森/本杰明·克莱曼汀/凯西·伯克/保罗·韦勒/斯蒂芬·格拉汉姆/雷·吉尔/Mica/Ricketts/C·J·贝克福德/阿历克斯·杰宁斯/约书亚·麦圭尔/海莉·斯奎尔斯/艾琳·凯利曼/萨莉·梅瑟姆/约瑟夫·阿尔京/克里斯托弗·钟/杰拉德·摩纳科/希瑟·克兰妮/桑德拉·休杰特/Isaac/Highams/格雷厄姆·福克斯/Jack/Shalloo/
6.0塞缪尔·杰克逊/约翰·大卫·华盛顿/丹妮尔·戴德怀勒/雷·费舍尔/科里·霍金斯/迈克尔·波茨/Skylar/Smith/史蒂芬·詹姆士/埃丽卡·巴杜/Malik/J/Ali/查丽蒂·乔丹/Isaiah/Gunn/Matrell/Smith/杰瑞卡·辛顿/盖尔·比恩/Hanniel/Joseph/保莱塔·华盛顿/奥利维亚·华盛顿/Kylee/D./Allen/Deetta/West/
2.0咏梅/姜武/吴倩/张本煜/马苏/艾丽娅/李易祥/李嘉鑫/吴泽南/陈玺旭/
7.0温贞菱/丁宁/黄婕菲/雷婕熙/廖钦亮/林敬伦/文雨非/
7.0Marco/Leonardi/卢米·卡范佐斯/埃达·卡拉斯科/Yareli/Arizmendi/Claudette/Maillé/
5.0陶慧敏/剧雪/沈蓉/吉雪萍/池华琼/普超英/张力维/宁理/
8.0玛伦·艾格特/布里塔·哈梅尔施泰因/路易斯·海耶尔/利奥·佐伊·沃斯/Ilja/Bultmann/安德烈亚斯·德勒/Milian/Zerzawy/Paula/Schindler/Luana/Greco/Finnigan/Inan/
2.0杏/中须翔真/佐津川爱美/酒向芳/木龙麻生/和田聪宏/丸山智己/河井青叶/安藤政信/奥田瑛二/
6.0大卫·贝尔达格尔/路易斯·卡叶赫/奥斯卡·德·拉·弗恩特/奥利维亚·莫丽娜/玛利亚·罗曼尼奥斯/洛雷娜·洛佩斯/玛尔塔·贝伦格尔/佐迪·阿吉拉尔/米古尔·雷兰/Jona/García/Tosca/Montoya/Arantzazu/Pastor/Arantxa/Pastor/Dario/Mataix/Moana/Gómez/Nora/Arándiga/Pau/Belloch/Rubio/Guillem/Belloch/Rubio/Amparo/Oltra/Paco/Roca/
5.0正宇/金大明/朴炳垠/赵显哲/郑海钧/白秀章/
4.0保罗·麦斯卡/佩德罗·帕斯卡/丹泽尔·华盛顿/康妮·尼尔森/约瑟夫·奎恩/弗莱德·赫钦格/德里克·雅各比/马特·卢卡斯/彼得·门萨/梅·卡拉美维/蒂姆·麦克纳尼/利奥·拉兹/瑞安娜·杜斯/奇迪·阿朱福/李·查尔斯/齐·刘易斯-帕里/迈克·帕里什/米哈伊尔·巴斯马吉安/亚历山大·西姆金/马克西姆·杜兰德/
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